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Book design

National Gallery

A couple of book design projects I’ve done for the National Gallery, London.

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The cover of the Rebels and Martyrs catalogue.

Front and back cover of the National Gallery exhibition catalogue Rebels and Martyrs. The title is in very big, bold red Didot typeface.

Detail of the title of the essay Priest, Seer, Martyr, from the National Gallery exhibition catalogue Rebels and Martyrs. The typeface is Didot, in bold and dark blue against white.

Detail on the top of a spread from the National Gallery exhibition catalogue Rebels and Martyrs, from the essay Hero of the Establishment; Romantic Hero, in red Didot typeface in the top left of the spread.

Detail of a painting from the National Gallery exhibition catalogue Rebels and Martyrs, with the 19th century portrait of a woman wearing a wide-brimmed yellow hat with flowers and a large white fluffy feather. By

Detail of the title spread of the essay Hero of the Establishment; Romantic Hero, in the National Gallery exhibition catalogue Rebels and Martyrs. The title is in very big, bold red Didot typeface.

Title page of the Rebels and Martyrs exhibition catalogue. The subtitle reads "The Image of the Artist in the Nineteenth Century" below the main title. Light brown Didot typeface on white paper.

A spread with catalogue entries from the National Gallery exhibition catalogue Rebels and Martyrs. Big bold images and text on two columns, with a smaller third column for notes and captions.

Full opening spread of the essay Hero of the Establishment; Romantic Hero, in the National Gallery exhibition catalogue Rebels and Martyrs. The title is in very big, bold red Didot typeface occupying half of the page on the left, with the text starting on the right page

Title spread of the National Gallery exhibition catalogue Rebels and Martyrs. The title is in very big, bold brown Didot typeface. The inside cover on the left shows the other half on f the face on the front cover.

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Detail of the title spread of the essay Imagining the Artist: Painters and Sculptors in Nineteenth Century Literature in the National Gallery exhibition catalogue Rebels and Martyrs. The title is in very big, bold brown Didot typeface.

Two title spreads from the National Gallery exhibition catalogue Rebels and Martyrs.

Title spread of the National Gallery exhibition catalogue Rebels and Martyrs. The title is in very big, bold brown Didot typeface. The inside cover on the left shows the other half on f the face on the front cover.

Top of the cover of the National Gallery exhibition catalogue Radical Light – Italy's Divisionist Painters

Title spread of the National Gallery exhibition catalogue Radical Light, with the blue end paper on the left

Detail on a catalogue entry (57 Leaving the Theatre) from the National Gallery exhibition catalogue Radical Light.

Detail on the dust jacket for the National Gallery exhibition catalogue Radical Light. Focus on the National Gallery Company's address, on the reen dust jacket on top of the blue paper on the inside.

A spread with catalogue entries (60, Passing Train, and 46, Three Women, by Umberto Boccioni) from the National Gallery exhibition catalogue Radical Light.

Focus on the title of the essay "Divisionism to Futurism: Art and Social Engagement" from the National Gallery exhibition catalogue Radical Light.

Opening spread of the essay "Italian Divisionism and its legacy" by Simonetta Fraquelli, from the National Gallery exhibition catalogue Radical Light. On the left, a full-page painting of a shepherdess wearing blue 1900s dress against a yellow background in a mountainous landscape, leaning against a tree trunk and holding a stick with a sheep on the left.

Detail of the credit page from the National Gallery exhibition catalogue Radical Light

Opening page of the National Gallery exhibition catalogue Radical Light

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